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Tristan Eaton’s ‘Uprise:’ A Street Artist’s Fist to the Face of Powers That Be

Tristan Eaton White Collar Power detail

Detail of Tristan Eaton’s “White Collar Power”

Street artist and muralist Tristan Eaton’s work blows us away — that’s why we put his piece “Los Anger” on the cover of Heavy Metal 296, the Street Art Special. In the issue, his story “Graffiti Pulp: 100% True Stories of Art Crime” recounts the moment (or one of them) when he fell in love with the thrills and chills of the guerrilla street art experience.

Eaton’s work uses a faux-collage style to give us busy, complex images that surround a subject and, often, reflect its own complexity. One thing becomes a containing shape filled with other things, layers cut away or torn off reveal messages beneath the surface. Familiar logos and mascots clash with maps, abstract patterns and other visual cultural fragments. It’s a mess — a beautiful and meticulously composed mess that you can’t take in on the first or second view.

• IN THE SHOP: Heavy Metal 296 cover A by Tristan Eaton

With his 2017 series “Uprise,” Eaton unleashed his aesthetic and energy on canvas (as opposed to the side of a building). The subject is resistance and protest, with each painting a time capsule or scrapbook of a moment and place where people spoke up and took action against an entrenched power structure — be it the Arab Spring, Gandhi’s Salt March, the L.A. riots of 1992 or the Haitian Revolution. It’s radical stuff, in the best way. Below is some more art from the series — you can see the whole thing at tristaneaton.com. And make sure to pick up Heavy Metal 296 to read Tristan’s story.

"The Arab Spring" by Tristan Eaton

“The Arab Spring” by Tristan Eaton

"The Salt March" by Tristan Eaton

“The Salt March” by Tristan Eaton

"White Collar Power" by Tristan Eaton

“White Collar Power” by Tristan Eaton

"Black Napoleon" by Tristan Eaton

“Black Napoleon” by Tristan Eaton

"Black Panthers" by Tristan Eaton

“Black Panthers” by Tristan Eaton

"Los Anger" by Tristan Eaton

“Los Anger” by Tristan Eaton

"Nat Turner's Rebellion" by Tristan Eaton

“Nat Turner’s Rebellion” by Tristan Eaton

"Palestinian Resistance" by Tristan Eaton

“Palestinian Resistance” by Tristan Eaton

"Peace vs. the Vietnam War" by Tristan Eaton

“Peace vs. the Vietnam War” by Tristan Eaton

"Spartacus" by Tristan Eaton

“Spartacus” by Tristan Eaton

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Joe Badon Heavy Metal Taarna Art

Joe Badon Depicts Taarna From The Heavy Metal Movie!

January 14, 2020 • Articles, Artwork, Featured, Heavy Metal News, Top News

Illustrator and animator Joe Badon is the latest intrepid artist to try his hand at rendering Taarna the Taarakian and her trusty pteranodon-like steed. The character dates from the 1981 Heavy Metal movie (and was inspired by Moebius’ pteranodon-riding protagonist) and over the years has

Milo Manara Vogue and Texa illustrations

Milo Manara Art You’ve Probably Never Seen [30 Pictures]

January 10, 2020 • Artwork, Featured, News, Top News

Not too long ago we mentioned that Hajime Sorayama, whose work appeared in Heavy Metal long ago, has emerged as a person of interest of the art and fashion worlds — it turns out the “sexy robot guy” is finally getting his due. The cover of this month’s Vogue Italia features

Preview art from Marco Turini's '22'

New Sexy Sci-Fi Project from Marco Turini: 14-Image Preview

December 20, 2019 • Artwork, News, Top News

Frequent Heavy Metal contributor Marco Turini is cooking up a new comic, and it looks great — even though he’s not telling us much about it. These preview images mostly show the heroine “vi0la” in the setting Turini has described as dystopian. The title of the series is 22.

Giorgio Comolo's Galactus, after Frank Frazetta's Death Dealer

Giorgio Comolo’s Mighty Mashups: Galactus Goes to Italy

November 6, 2019 • Artwork, Featured, Top News

We noticed some Galctus art by Giorgio Comolo making the rounds on social media, and liked the look of it — like many European illustrators (the kind who helped build Heavy Metal), Comolo has a superhuman flair for detail. Look into his portfolio a little further and you’ll find him

Sexy robot sculpture by Hajime Sorayama for Dior

It’s Hajime Sorayama’s World

October 24, 2019 • Artwork, Culture, Featured, News, Top News

A funny thing happened to Hajime Sorayama — the Japanese artist famous for his sexy humanoid robots. You may recall his work from the cover of our November 1980 issue or back cover of August 1981. You might also have seen his android pinups in Penthouse or Playboy over the years. For decades,

Hannah Yata, 'Insomnia' (detail)

Hannah Yata’s Natural Symbolism: Who Are These Masked Women? [15 Images]

September 20, 2019 • Artwork, Top News

In many of Hannah Yata’s oil paintings, humanoid figures with tribal body paint and fearsome masks look back at us as if we’ve disturbed their communion with nature. We get the distinct feeling we are witnessing something beyond our understanding, even taboo — like tourists

Donato Giancola, 'Empathetic Robots: Reach'

Donato Giancola’s Empathetic Robots Have Hugs For Humans [12 Images]

September 12, 2019 • Artwork, Featured, News, Top News

We were pleased to feature a Donato Giancola painting on one of the covers of Heavy Metal 294: The Industrial Special. Giancola is an insanely accomplished fantasy and science-fiction artist (check out the biography page on his site) whose recent series of “Empathetic Robots”

Heavy Metal Featured Artist xsullo Gets Under Your Skin

August 12, 2019 • Artwork, Featured, Heavy Metal News, Popular, Top News

In Heavy Metal 294, the Industrial Special, we’ve dedicated several pages to artist xsullo (or Nick Sullo in person), whose images are both disturbing and enticing. There’s some intense stuff happening here — skin gets ripped off, bones pop out, bodies are peeled apart before our

Nick Pyle, "Later" (detail)

Heavy Metal Featured Artist: Nick Pyle And His Vivors

July 31, 2019 • Artwork, Featured, Top News

In Heavy Metal 294 (in stores August 1), we feature Nick Pyle in a gallery with an interview — if you’re not familiar with his work, you can already tell that it’s like nothing else. There’s a reason for that — Pyle is a self-taught artist who’s actually spent